Textual Thresholds (Paratexts) In (Incomplete Printed Poetic Works)

Abstract

1- Manas and threshold and the ocean, launched to mean the parallel text of the original text (creative) complete it and indicate it and interact with it.

2- Menas according to the genet is divided on the published texts and the descriptive texts. And then look at the sections of the so-called text surrounding and the text of the supernatural, and separate the saying in the ocean and the Encyclopedic Envelope installed, including the name of the author and address and (sexual indicator) *and the word publisher and sponsorships and export and inception and internal addresses and margins. Then he goes in detail to say the superscript and divides it into a general and special.

3- We have seen the applications/ procedures for the forums/ thresholds on the texts of narrative, and did not find the work on poetry texts. This indicates the restriction of the platforms in the narrative field.

4- The first is to expand the boundaries of the term and to find alternatives, such as movers, space, and abroad, and the text of participation, support, support. Utilities and others.

   The second is that we have worked hard to expand the concept and act in it to make the icon a picture of a piece of paper that was on the face of the cover or inside the blog or in the back cover. The same goes for the background d text in terms of choice. In addition, the method of writing size and form outside the book and inside, as well as the discovery of pattern (paper paper). What is more important is that we have made up a section that is a match between the platforms or the platforms for compromise or the possibility of intermingling. and we tried to connect the outside with the dialectic of mutual benefit and aesthetic vitality as much as we could and throughout the research The third thing that we came to the field of Bakr for the application is the field of poetry and the paper-based poetic works of Abbas>s sequel were directed to the movement of our approach to reading and our reading-proof model I call him I (Marshal Ajnassi)